Monthly Archive for August, 2007

No Rest For The Weary

Work life has been rough for me recently. I spent most of last week trying to diagnose my ill workstation, only to find late on Wednesday that the problem seemed to be a corrupt SolidWorks file that had managed to destabilize the entire OS. I couldn’t even get a virus scan complete in safe mode. Eventually, I was able to delete the problem file and then all those troubles disappeared. I set the data I’d been taking on Friday when the problems started to process overnight.

Now, on Wednesday, I’d awakened with hearing problems that I assumed were caused by my ears being congested. One of the side effects of this was that it was physically painful for me to be near constant droning noises like electronics and fans. Guess what you find in wind tunnel labs?

So when I woke up with the same problem on Thursday while, at the same time, feeling less well overall, I decided that after I went to pick up the recently processed data, I would make a visit to health services. I ended up spending half of my day there, getting diagnosed with the early stages of a middle ear infection (in both ears!), and loading up on drugs and antibiotics. By this point, I was feeling feverish, but my advisor really wanted that data, so I slogged through all the data analysis I could think of in my debilitated state, and went up to report it. I could say more on that, but I’ll refrain and instead say that, having planned to leave early since I was sick, I didn’t get to leave campus until 4:45.

On Friday, I got an e-mail from my advisor asking me, by Tuesday, for a “schematic drawing” of the multiple camera assembly on which I’ve been working. Well, all of that existed in my head, sure, but I hadn’t had the time (broken computer! data taking!) to get things drafted in SolidWorks (which broke the computer!). My Friday afternoon was spent desperately attempting a) learn SolidWorks and b) model all the components of the multi-camera sled. I went in on Satuday, and, after some eight hours of work to get one screenshot of everything put together, I send an e-mail with the picture and ask if this is alright, and, if not, please get back to me so that I can fix it. I got a reply late Sunday night: thanks, but no. I wanted X and Y and Z and A and B, too!

Cue the freaking out. How am I supposed to model all these things in SolidWorks by Tuesday when I have classes today? Screw it, I decided. It was time to put my mad Photoshop skillz to use. I had about an hour before my first class, so I rushed into the work. About forty-five minutes in, Photoshop erased all of my work. The office was filled with the sound of my cursing. I redid as much of it as possible, rushed away to class, and spent an hour desperately trying to keep up with a TA who erased things she put on the board immediately after finishing her sentence. Then I returned to my desk and ate lunch while continuing to work in Photoshop.

On top of that, I read the lab manual for my first optics experiment. Now, this is an undergraduate-level physics course, but I’ve never had any significant amount of optics before, and it’s been five years since the subject’s even been touched. Moreover, it’s a course that meets for six hours of lab and one hour of lecture every week. Overkill, anyone? Steph and I arrive to find that we are two of four students, so there’s no chance of hiding behind others, and, naturally, the professor decides to ask me the first question. It doesn’t take very long at all for me to fumble things completely, at which point I tried to excuse myself by explaining exactly how little optics and waves I’ve studied and just how long ago that was.

My first task was to do an equipment inventory. Fine. I had a list, and it wasn’t too tough to figure out what half the optics equipment was. But then I got lovely visits from the professor, who wanted me to do things like show him how I could figure out what the focal lengths of the lens were and determine which of these damn things was a quarter-wave plate. For reference, I’d never heard of circularly polarized light, let alone a quarter-wave plate before this afternoon. We finally got through the theory of what-the-hell-is-this, and, of course, he then wanted me to set up polarizers and the quarter-wave plate with the laser so that I could verify that it was, in fact, one of these mythical quarter-wave plate things. Thankfully, they left me alone for long enough that I could start setting up the optics and put together the photo sensor so that I could measure intensities properly. At one point the professor came back in and watched me work for a minute, then said, “You are very precise. That is excellent!” I got a similar compliment from the TA when I was doing the first part of my experiment–he noted that I was very particular about my safety precautions and alignments. I laughed and told him that I’m an experimentalist–I may not know much about optics, but I can handle setting up experiments and doing them properly. So, in the end, I guess that came out okay.

Then it was back to my office for a quick meeting with my advisor (two minutes? maybe?) and another hour or so of working on that Photoshop picture.

I got home to discover that my toilet was clogged by my roommate for the second time in less than 24 hours.

The only real bright spot in my day? Receiving the Once soundtrack, the new Josh Ritter album, and a Josh Ritter EP from Amazon.

I can has weekend now? Please?

Recent Excursions In Print and Film

I just finished reading the last of the Little House books a couple of minutes ago, and it’s hard to express how much I enjoyed re-reading that series. It’s been so many years since I last read them; I thought going into it that maybe I’d just enjoy the nostalgia of reading them, but I don’t think that covers it. I also thought that, since I remembered liking the earlier ones more than the later ones when I was younger, that it might be that way this time, too. But, somehow, in getting older, I loved them all just as much or more than I did when I read them as a little girl. Certainly the earlier ones had a similar effect on me as they did when I was little–I was always fascinated of the descriptions of how their day-to-day tasks were done and what sorts of things they ate and such. The books made me every bit as hungry as before. (I still desperately want to taste the candy they made by pouring fresh, hot maple syrup over clean, cold snow.) But I think, being older, that I found more to relate to and appreciate in the later books than I did when I was younger. And, oh, I did so love reading about Almanzo courting her. He could practically give Mr. Darcy a run for his money, but Almanzo Wilder’s got the definite advantage of having been real on his side.

Ahem.

I also finished reading The Princess Bride just yesterday after an aborted attempt to read it a few years ago. The book was certainly enjoyable, but I do think I quite like many of the changes Goldman made when adapting it for the screen. Not that, you know, my love for the movie has any biasing effect on me. Oh, no.

Speaking of films and biases, I also watched the remake of The Lion in Winter last night. Now, I’m quite sure that my adoration of love for the original blinds me somewhat to the good points in the newer version, but it’s difficult to have Patrick Stewart and Glenn Close uttering the exact lines Peter O’Toole and Katherine Hepburn gave such fire to and not be at least a little disappointed. The newer version, of course, has much more impressive sets and costumes and background shots, but, for the most part, I felt like the actors’ deliveries lacked the dangerous edge of the original. Somehow it just doesn’t work when King Henry tells King Phillip, “Use all your voices. When I bellow, bellow back,” in a congenial, smiling manner. I mean, hello. You have to bellow in the first place, Henry.

Although the two leads seemed a lot softer and affectionate than in the original film, there were some aspects of the newer one I appreciated. I felt like the portrayal of Geoffrey, the middle son, was more believable in this film, even if he doesn’t quite come across as the thing of wheels and gears that his father accuses him of being. I felt that the interpretation of Richard was okay–not great but not bad either, just different. And I thought that, as King Phillip, Jonathan Rhys Meyers handled the Richard/Phillip scene with Henry better than Dalton had, but that may be my appreciation for JRM and his, um, ability to do scary-crazy sneaking in somewhere. The John in this version was, well, John but with the addition of crying. No, sobbing. Seriously. There was one whole scene where he was just sobbing so heavily in the background that it distracted from Henry’s speech. Strangeness, really.

I’d had high hopes at the beginning, when they showed a sequence entirely unlike the original, in which Eleanor was shown (in armor!) alongside Richard and Geoffrey as they fought a civil war against Henry. They showed Henry ordering her capture, letting the boys go, and then the initial imprisonment of Eleanor. I was getting excited. …And then we picked up the word-for-word execution of the original screenplay but, for the most part, without the verve and barbs that made me so love the 1968 version. Ah, well. It’s what happens. ;)

Books Everywhere

Maybe I’ve been reading too much when I come to a Little House book chapter entitled “A Knife in the Dark” and immediately think, “Hey, isn’t there a chapter called that in Fellowship of the Ring, too?” (Yes, there is.)